"A lot of people here may not know every member of D-12 by name or every member of the St. Lunatics. But chances are, they recognize who was a part of
G-Unit. It's because I was so conscious of the people around me that,
after the first record took off - and Interscope Records really didn't
want - Why do you want a G-Unit record when you can have a 50 Cent
record when that one is the largest debuting Hip Hop album? You want
another 50 Cent record. So I was adamant about positioning them properly
because those crews, D-12 and St. Lunatics, had people that spearheaded
them like Eminem and Nelly that had so much success, those projects
would take two years before they would finish. They would come out and
be such a huge success that they're traveling and touring with so much
going on that their crew would be there and they would turn into those
guys that are just in the background...I didn't want that to happen so I
made the G-Unit project at that point and it offered them different
things.
I got to the point where I was writing the music. Helping them with their albums, putting the right choruses and
production around them so they could make the album right. I think that
there are certain things you do where you enable people and they feel
like you are supposed to do that. This is how we do it, versus they
appreciate you actually doing it. So, I made that mistake also."
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