Pusha T Gives Reason Why He Didn't Respond to Lil Wayne's Goulish Diss

I have been waiting a while now for Pusha T to reply Lil Wayne's Goulish track, which was targeting Pusha, but he has given a reason why we wont be hearing any songs from him aiming Lil Wayne in the near future. Apparently, he felt Goulish was too weak for a response from him. In fact he out-rightly called it Trash.



"I was surprised actually at anybody... but Wayne, specifically, answering 'Exodus,' Pusha told Funk Flex. "I've never seen one record that didn't say any names cause so much of a firestorm." Although a few lines in the track seemed to upset Lil Wayne, Pusha wouldn't admit that he was taking any shots.










"Why would that relate to Wayne or Drake?" he asked. Either way, judging from his response to Wayne's diss track "Goulish" it doesn't seem like Pusha saw any reason to respond. "It was horrible. It was trash. It wasn't good," he said, panning the lyrics and then the beat. "I didn't like that either. Let me say this. I didn't like it for that type of record. I didn't feel like, in all honesty, I haven't said anything about it because I didn't think it was good enough to respond to." (rapfix.mtv.com)




Hahaha! I don't know how Lil Wayne will feel after hearing this. In case you don't know the genesis of the beef; Pusha put out his Exodus 23:1 track a couple of months ago, which had some sneak disses at Drake; Wayne caught feelings and dissed Pusha.

Rapper Game's Cars (2012)

Game, like most rappers, has a fleet of exotic cars; they don't only just rap about it, they be about it...at least some of them. I remember back in 2005/2006, when Game and 50 Cent were in the middle of their beef, Game went and bought two Bentley's after 50 Cent called him a window shopper.


That is a long time ago, and since then, Game has bought himself a Dodge Charger ($55k), a Rolls Royce Phantom ($400k), Range Rover ($80k), Benz S Class ($90k),  Lamborghini Murcielago ($289k), two Bentley Continentals (200k each) and the latest of them is the Porsche Panamera ($80k).


You can check out the pics below...by the way, there are two pics of his Porsche below (when it was white, and when he repainted it golden.)


bentley
 benz
porsche panamera






Top 10 Rap Songs on Billboard Chart

Below are the top 10 rap songs on the billboard chart-


10. Up! LoveRance feat IamSu and Skipper or 50 Cent

9.  Work Hard, Play Hard- Whiz Khalifa

8.  The Motto- Drake feat Lil Wayne

7.  Beez In The Trap- Nicki Minaj feat 2 Chainz

6.  Take It To The Head- DJ Khaled

5.  Nobody's Perfect- J.Cole feat Missy Elliot

4.  Drank In My Cup- Kirko Bangz

3.  Leave You Alone- Young Jeezy feat Ne-Yo

2.  Cashin' Out- Ca$h Out

1.  Mercy- Kanye West, Big Sean, Pusha T and 2 Chainz 

Rihanna's Bloody Post-Chris Brown Assault Photo


I don't know when this photo leaked exactly, but i am hearing TMZ got a couple of years ago or so. Just to do a re-cap, in 2009, Chris Brown assaulted his then girlfriend, Rihanna, over what we still are not sure of. I know a lot of people have'n't seen this pic, that's why i decided to put it up. 

The cops that were assigned to her case, and the the only ones that are supposed to have access to this picture might face trial soon for leaking it

Rap Digital Singles Sales

Pitbull is still one of the highest selling rappers in the digital singles world, although he has a lane of his own, and doesn't do hard core rap per se. His Back In Time single sold 113,000 copies this week, and is now at a total of 1,078,000. Flo Rida's Wild Ones which features Sia sold 98,000 copies this week, and now totals at 2,815,000.



Mercy from Kanye West, Big Sean, Pusha T and 2 Chainz sold 73,000 copies this week, to total at 953,000. 2 Chainz sold 43,000 copies this week of his Drake assisted No Lie single, and it is now at a total of 308,000. Lil Wayne's My Homies Still, which features Big Sean sold 24,000 copies this week, and now stands at 166,000 copies sold so far.



Flo Rida appears for a second time with his Let It Roll single which debuts this week, with 23,000 copies sold.

Kendrick Lamar Announces "Good Kid, Mad City" Album

Kendrick Lamar is one of the saviours of hip hop out of the new breed of rappers to hit the scene in the last couple of years. His Section.80 album dropped last year, but it wasn't a big debut...it wasn't official. Now, he is about to drop his official big label debut titled Good Kid, Bad City...

Read more below-

 During a performance in London, England, Kendrick Lamar announced and confirmed that his major label debut Good Kid, Mad City will release on October 2nd (via KHH).

He also spoke on production off the album-

“The producers are really in-house,” Kendrick explained an interview with Hypetrak TV. “Soundwave, Tae Beats, Willie B., Dave Free—Digi-Phonics really. I just kept it [limited] to the people I came in with because they know my sound. I know their sound, and we mesh properly when we get in that studio and lock in.”  (hiphopdx.com)

Rhymefest Blasts' Rick Ross, Chief Keef & Waka Flocka Flame

In a recent video uploaded by Chicago rapper, Rhymefest, he had some harsh words for Chief Keef, Rick Ross & Waka Flocka Flame. Apparently, he feels their style of music is degenerating to the black community, and is one of the examples white people still use in labelling all black men as men as "no good." And he also made it clear that this rappers are "used", and that the real perpetrators are the record company's and DJ.

Read what he had to say below-

"Chief Keef is a "Bomb", he represents the senseless savagery that white people see when the news speaks of Chicago violence. A Bomb has no responsibility or blame, it does what it was created to do; DESTROY! Notice, no one is talking about the real culprits, the Bomb maker or the pilot who is deploying this deadly force (Labels, Radio Stations). Its easier to blame the bomb. Bombs are not chosen for their individual talents, they are tools used for collateral damage. To think of the persona of Chief Keef as a person would be the first mistake, he will more then likely come and go without us knowing much of anything about his personal pains, struggles, great loves and ambitions beyond rap. He is a spokesman for the Prison Industrial Complex. Every corporation is expected to grow at least 4% each quarter, many prisons are privately owned with stock being traded on the open market. If these corporations were to do commercials, jingles and promotions who would they hire? You got it, most of the main stream rappers we salivate over like Rick Ross the former correctional officer turned Drug Lord Boss rapper. Waka Flocka Flame gang bang "GO HARD IN THE PAINT" and Chief Keef the newest lottery pick in the "Get paid to destroy young minds, like we destroyed yours" Sweepstakes. [sic]" (Donnie Nicole) 


I want to state my piece, but I would like to say one or two things before I speak on what I think of Rhymefest's outburst. Although I have heard of chief keef, but I haven't taken time to listen to any track from him. I don't really listen to Waka Flocka Flame's kind of music, but I can nod my head to one or two of his tunes if I am in a social mode, and it is jamming. 


I listen to rappers like Kendrick Lamar, Nas, Lupe Fiasco...With that said, I honestly think Rhymefest wouldn't be rambling all he is if he was successful with his career. The part at the end where he said- You got it, most of the main stream rappers we salivate over like Rick Ross the former correctional officer turned Drug Lord Boss rapper- you would know that that is just off pure jealousy off the next man's success. Why did he have to bring up the Correctional Officer thing? I think this is coming off as very offensive. This is the same thing Saigon tried to do a couple of months ago. Magnificent, Aston Martin Music, Here I Am, Touch 'N You- this are some of Rick Ross's hit songs from the past, and these are great songs...feel good songs. Okay, they touch on the subject matter of his success a lot, so what? Every man has a right to celebrate his life anyway he wants.

First Week Sales Projections of MMG's Self Made Vol. 2

Rick Ross and the teams' Maybach Music Group (MMG) Self Made Vol. 2 album is projected to sell between 80-90k copies in its first week in stores. This are based on projections of first day sales which is usually worked on by hitsdailydouble.com. The album dropped 2 days ago, June 26.







The first compilation by the team, MMG Self Made Vol. 1 (2011) sold 58,900 copies in its first week, so this is definitely an improvement. Check out the tracklist below-



01. Gunplay, Stalley, Wale & Meek Mill - Power Circle f. Rick Ross & Kendrick Lamar
02. Meek Mill – Black Magic f. Rick Ross
03. Wale & Omarion - This Thing Of Ours f. Rick Ross & Nas
04. Rick Ross – All Birds f. French Montana
05. Wale & Meek Mill - Actin Up f. French Montana
06. Stalley – Fountain Of Youth f. Rick Ross & Nipsey Hu$$le
07. Wale – I Be Puttin’ On f. Wiz Khalifa, French Montana & Roscoe Dash
08. Wale & Stalley – The Zenith f. Rick Ross
09. Omarion & Wale - M.I.A.
10. Wale & Meek Mill – Bag Of Money f. Rick Ross & T-Pain
11. Omarion – Let’s Talk f. Rick Ross
12. Gunplay – Black On Black f. Ace Hood & Bun B
13. Stalley & Wale - FluorescentInk f. Rick Ross
14. Rick Ross – Bury Me A G f. T.I.



Top Selling Rap Albums on Billboard Chart



Waka Flocka Flame remains the highest selling rapper on the billboard chart for a second week running; his Triple F Life album sold 14,000 copies this week, is now at a two week total of 47,000.


Nicki Minaj's Pink Friday:Roman Reloaded album sold 13,000 copies this week, and now totals at 547,000. B.O.B comes in next with Strange Clouds selling 8,500 copies and now at 164,000. Personally, i think this is a bad reflection of what Hip Hop has turned to. He has two platinum selling singles, and his album is finding it hard to hit 200k. I guess the rap fanbase have left him, and the pop listeners don't know him enough, and would rather just buy his singles.


Drake's Take Care, an album i certify as a well balanced hip hop album, sold 8,200 copies this week, and is now at a total of 1,788,000. Big K.R.I.T's Live From The Underground album sold 6,600 copies this week, and now is at a total of 60,000 copies total. Kid Ink is at a two week total of 26,000 copies of his Up & Away album, after selling 6,200 copies this week.


Curren$y sold 4,600 copies of his The Stoned Immaculate album this week to stand at a 49,000 copies total. Tyga's Careless World album is at a 253,000 copies sold after selling 4,000 copies this week. Future's Pluto album sold 4,000 copies this week, and now is at 111,000 copies total. Travis Porter's From Day 1 album sold 2,200 copies this week, and is now at a total of 25,000 copies sold so far.

What's the Real Reason Behind the Drop in Album sales



In the last couple of years, there has been a continuous decline in album sales by rappers in the music industry. Because of this, artists have implored upon every form of gimmick they can use to stay relevant in the game and sell decent numbers. But even with that, rappers hardly go double platinum this days. The highest selling rap album in the last 5 years is Eminen's Recovery album (2010), which has sold 4 million copies till date. But we all know Eminem has always been in a lane of his own when it comes to sales. But, it wasn't just his skils that got him those numbers; he definitely had the help of A list features on the album including Rihanna, and Pink which we can say got him some pop buzz. I have to point out that he had previously released a comeback album a year before titled Relapse, which only managed to sell half of what Recovery sold.



The second highest selling rap album in the last 5 years is Lil Wayne's Tha Carter 3 album (2008) which has sold over 3 million copies till date. And we all know that Wayne was at his peak when he released that album. He had literaly saturated the airways with features with other artists that the hip hop listening audience couldn't but return the love. Asides from this, we have had rap albums from Jay-Z, Kanye West, T.I, Nicki Minaj, Game, Drake and so  on, which have sold between 1-2million copies in the last 5 years. The artists i mentioned above can be said to be high selling rappers in the last 5 years, and none of them has had an album that sold over 2 million copies in the last 5 years. Only Eminem and Lil Wayne have had rap albums that have sold over 2 million copies in the last 5 years.



I am stressing this point because it shows how bad sales in hip hop are presently. Back in the late 90s and early 00s, you had dozens of rappers selling multi platinum with their albums. Just so it don't seem like i am making this up, i would like to state a few- DMX, Ja Rule, 50 Cent, Jay-Z, Eminem, Dr Dre, Will Smith, Puffy (P.Diddy), Mase, Nas, Lauryn Hill, Wyclef, Ludacris...These were the rappers we knew and heard on radio constantly, and all these rappers did well with their albums. So what happened? Why is it that just a handful of rappers can go platinum these days, and only 2 have sold over 3 million copies in the last 5 years? I would like to point out that no rap album has gone platinum this year. The rap albums that have that platinum status and are still on the chart are rap albums that dropped last year like Watch The Throne (jay and kanye), and Drake's Take Care album. Countless rap albums have dropped this year, and to point out that the highest selling of them, at the middle of the year is from Nicki Minaj is really a sorry case for hip hop. And it took Pink Friday Roman Reloaded 8 weeks to go Gold; it is now at a total of 534,000 copies sold.



A lot of people say it's illegal downloads that is killing the market, but i think it is more than just illegal downloads. I think the main reason why fewer and fewer rappers are getting to platinum status now is because there so many rappers out. Back in the 90s, i could definitely count the number of rappers on the scene. I would say they were not up to 50 rappers out. But now, you have about 400 rappers or so out. And i am not exergerating. Everyday i come online, i hear about a new rapper. I wont lie, i can't keep up. Everybody and their grandma wants to be a rapper now. So, the way i see it is that the industry is saturated, and the listeners are confused, so what they do is buy just a "song" they like, instead of buying a whole album from a rapper. You can check this by looking at rap songs digital singles sales, which i can say is still doing real great. You now have Rappers going multi platinum with songs that have never gone platinum with any album through out their career.


Third Week Sales of Curren$y's The Stoned Immaculate Album

4,600 copies of Curren$y's The Stoned Immaculate album sold in its third week; the album is now at a three week total of 49,000 copies sold.

Third Week Sales of Big K.R.I.T's Live From The Underground Album

Big K.R.I.T sold 6,600 copies of his Live From The Underground album in its third week out; the album is now at a total sales of 60,000 copies so far.

2nd Week Sales of Waka Flocka Flame's Triple F life Album

Waka Flocka Flame sold 14,000 copies of his Triple F Life album in its second week out, and the album is now at a two week total of 47,000 copies. The album is the highest selling rap album on the billboard chart for this week.

Official Tracklist of Nas's Life Is Good Album

Below is the official tracklist of Nas's Life Is Good album-



1. No Introduction (Produced by J.U.S.T.I.C.E. League)
2. Loco-Motive feat. Large Professor (Produced by No I.D.)
3. A Queens Story (Produced by Salaam Remi)
4. Accident Murderers feat. Rick Ross (Produced by No I.D.)
5. Daughters (Produced by No I.D.)
6. Reach Out feat. Mary J. Blige (Produced by Salaam Remi, Rodney Jerkins, DJ Hot Day & Nas)
7. World’s An Addiction feat. Anthony Hamilton (Produced by Salaam Remi)
8. Summer On Smash feat. Miguel & Swizz Beatz (Produced by Swizz Beatz)
9. You Wouldn’t Understand feat. Victoria Monet (Produced by Buckwild)
10. Back When (Produced by No I.D.)
11. The Don (Produced by Salaam Remi, Heavy D & Da Internz)
12. Stay (Produced by No I.D.)
13. Cherry Wine feat. Amy Winehouse (Produced by Salaam Remi)
14. Bye Baby (Produced by Salaam Remi & 40)

Bonus Tracks for Deluxe Edition:

15. Nasty (Produced by Salaam Remi)
16. The Black Bond (Produced by Salaam Remi)
17. Roses (Produced by Al Shux)
18. Where’s The Love feat. Cocaine 80s (Produced by No I.D.)
19. Trust (Produced by Boi 1da) (iTunes Bonus Track)
20. The Don (Don Dada Remix) (Produced by Salaam Remi & Heavy D) (Japan Bonus Track)


The album is scheduled to drop on the 17th of July.

Top 10 Rap Songs on Billboard Chart

Below are the top 10 rap songs on billboard chart-



10. Faded- Tyga feat Lil Wayne

9.  Up! LoveRance feat IamSu and Skipper or 50 Cent

8.  Beez In The Trap- Nicki Minaj feat 2 Chainz

7.  The Motto- Drake feat Lil Wayne

6.  Take Care- Drake feat Rihanna

5.  Nobody's Perfect- J.Cole feat Missy Elliot

4.  Leave You Alone- Young Jeezy feat NeYo

3.  Drank In My Cup- Kirko Bangz

2.  Mercy- Kanye West, Big Sean, Pusha T and 2 Chainz

1.  Cashin' Out- Ca$h Out

Peter Rosenberg Goes Hard on Lil Wayne and Nicki Minaj

Following the Summer Jam incident, which had Lil Wayne pull Nicki Minaj out of the roaster of performing artist at the last minute because Peter Rosenberg (a DJ at Hot 97 radio station) said he thought Nicki's Starship song was wac, a lot has been said. A couple of days ago, Lil Wayne said he pulled Nicki out cos he felt she was disrespected, and he feels  females should never be disrespected. I think that is funny coming from wayne, and i guess Rosenberg feels the same way. And he made this known on air yesterday.



Read more below-


Hot 97's Peter Rosenberg, who insulted Minaj by referring to her single "Starships"  as "bullshit," quickly responded to Wayne's explanation - and he remains unconvinced. 


“Lil Wayne thinks that I don’t show respect for women,” said Rosenberg on the radio. “Wayne is right about something—Women are mothers, are sisters, are daughters. But I have a question. Is me giving my opinion that one song is wack, is that showing a lack of respect for women?”


Rosenberg went on to play a slew of misogynistic lyrics from Wayne, including "6 Foot, 7 Foot," where Wayne opines, "hoes gon' be hoes."


The Hot 97 personality also questioned Nicki Minaj's dedication to respect for women, playing a clip of the song "Stupid Hoe." 


"Weezy F. - the 'F' doesn't stand for feminist, alright," said Rosenberg.


Peter Rosenberg then suggested that Young Money come and speak to Hot 97 in person. "Instead of talking to everyone else about Hot 97, how about...Young Money just come on down and come see us and talk to us?"


"Oh, that's because then they'd have to hear the truth. And they can't handle the truth." (hiphopdx.com)

Rap Albums on Billboard Chart



This week has Waka Flocka Flame holding the top spot as the highest selling rapper on the billboard chart, with his Tripple F Life album which sold 33,000 copies after one week in stores. Kid Ink also makes a debut on the chart this week with his Up & Away album which sold 20,000 copies. Big K.R..I.T's Live From the Underground album sold 12,000 copies this week, bringing it to a two week total of 53,000.








Nicki Minaj's Pink Friday: Roman Reloaded album sold 12,000 copies this week, and is now at a total of 533,000 copies sold so far. Her fellow Young Money artist, Drake is still on the chart with his album which dropped last year; Take Care sold 8,900 copies this week, and now totals at 1,779,000.  Curren$y's The Stoned Immaculate sold 8,200 copies in its second week, and is now at a total of 44,000.



B.O.B's Strange Clouds album sold 7,300 this week, and now is at a total of 156,000. Tech N9ne has been working hard on introducing the world to the other artist signed to his label, and this week, Tech N9ne Presents...Stevie Stone- Rolling Stone album makes the chart after selling 6,600 copies in its first week out.



Tyga's Careless World album sold 5,000 copies this week, and is now at a total of 249,000...that's half way to Gold status. Travis Porter's From Day 1 album sold 3,100 copies this week, and now totals at 23,000.

11th Week Sales of Nicki Minaj's Pink Friday: Roman Reloaded



Nicki Minaj's second album, Pink Friday: Roman Reloaded album has been out for a while now, and on its 11th week on the chart, it sold 12,000. The album is now at a total of 534,000 copies sold so far.

Second Week Sales of Big K.R.I.T's Live From The Underground Album

Big K.R.I.T's Live From The Underground album sold 12,000 copies in its second week in stores, and is now at a total of 53,000 copies after two week in stores.

2nd Week Sales of Curren$y's The Stoned Immaculate

Curren$y's The Stoned Immaculate album sold 8,200 second week, and is now at 44,000 copies sold after 2 weeks in stores. I think this album would do good if it makes it to the 200k mark.

Official First Week Sales of Waka Flocka Flames Triple F Life Album

Waka Flocka Flames second album, Triple F Life album has done a full week in stores, and after 7 days out, it sold 33,000 copies. This makes it the highest selling rap album on the billboard chart for the week. It was earlier projected to sell between 25-30k first week, so this means it surpassed expectations.

First Week Sales Prediction of Nas's Life Is Good Album

I know this is coming a bit too early, but since Nas already did the Listening session for this album, it's locked and loaded, and people would really be checking for all the info they can get on it, so I decided to do this now. Nas's 10th album, Life Is Good is set to drop on July 17, that's about 4 weeks from now, and I am going to attempt to predict what it would sell in its first week. His last solo album, Untitled sold 187,000 copies its first week out in 2008; even-though sales of most hip hop albums have dropped since then, I would still say this album will sell more than what his last sold. I would say Life Is Good would sell between 200-280k first week...plus or minus.



He has done a lot of promo for this album, and if it was just up to his core fans, I would say he would sell between 130-180k first week, but he definitely has gotten new listeners without compromising his standards. He got on Lil Wayne's Carter 4 last year, and then Tyga's Careless World and Nicki Minaj's Pink Friday: Roman Reloaded this year...he even had a cameo on Nicki's Right By My Side video. All these is just to get the young listeners to recognise who he is. He has been everywhere recently, and just doing everything to put himself more out there. He is going to be on MMG's Self Made Vol 2. album which drops next week, and he is also going to be on Meek Mill's Dreams & Nightmares album that drops August 28.



I repeat, I predict that Nas's Life Is Good album would sell between 200-280k in its first week. I also see it holding strong on the chart for many weeks. This is going to be Nas's most successful album in years.

Lil Wayne Speaks on Pusha T Beef

A couple of weeks back, Pusha T dropped his Exodus 23:1 track online, which had some indirect lines at Drake; Lil Wayne then took it upon himself to defend his artist, and quickly tweeted- "fuck pusha t and everybody who love em". And then followed that up by a full length diss track (Goulish) to pusha a couple of days afterwards. I really thought it would turn to an all out war against the two camps, Young Money and G.O.O.D Music, but Pusha hasn't replied to Lil Wayne's diss since then.



 Lil wayne recently spoke on the issue at a recent interview of his-


"I just finished recording my "I Am Not a Human Being II" album. And we're starting to work on the Young Money album," Wayne said in an interview before addressing Pusha. "It really wasn't no beef, you know. It was just me. I just reacted. Just a reaction, a simple reaction. I don't apologize for it because I'm human. But it was just my human reaction. I don't take it back. But there's no beef. Beef is a whole different thing. ... I'll move on." (The Washington Post)



Personally, I still wish Pusha T would have responded, cos I know Pusha is more of a battle rapper than Wayne is. I think Pusha T wanted to bait Drake into beefing him, and then Lil Wayne, having an album dropping soon (I Am Not  A Human Being 2), also wanted to use the same strategy with Pusha T for some buzz, but Pusha didn't play along, so now Lil Wayne is saying it is no beef.

Hip Hop Music; Bridging the Gap Between Races

Hip Hop music went from fun music, to politically conscious music, to gangsta music, back to fun music. A lot of negative things have been said about the quality of hip hop music, and how it affects the youths in the society. Young people would now rather want to be like the biggest rapper out than to have their own identity; they would rather listen to what Jay-Z says about life than to listen to their parents advise on life.



I recognise this, and I would say it could be one of the negative parts of hip hop culture depending on the rapper being listened to, but I chose to focus more on the good that hip hop has done. I know there would always be people that would bring to light the wrong notion of the black people that rappers put in their songs, so I might as well leave those people to do their job while I do mine.



The reason why I am writing this is because of the wrong conception that a lot of people have over a recent event in hip hop culture. Jay-Z and Kanye West are on a Watch The Throne tour, and there friend Gwyneth Paltrow (a white actress) was with them while they were in Paris. And while they were in Paris, performing their hit song, Niggas In Paris, she got over excited about the reaction of the crowd, and tweeted this words- "Niggas In Paris for real", with a picture of herself dancing on stage. A lot of people, bloggers, hip hop reporters and some rappers have bashed her endlessly on the use of the "N" word.



Personally, what I see is the beginning of what I feel black people in America have always wanted- Equality. I think someone like Gwyneth Paltrow and other younger generation of white people that love to be a part of the hip hop culture no-longer see Negroes as black people, but just as people like them and the rest of the white people out there. What I am saying is that Hip Hop music has been able to bridge that gap between the races, to the point where you have white rappers, Black rappers Asian rappers, Hispanic rappers; Hispanic listeners, Black listeners, white listeners, and Asian listeners. Now, you have a lot of white people at hip hop shows and concerts, and they look up to this rappers. They don't just like the music, they like and respect the musicians.



I think this is a great development. Although this is just a social thing, it will definitely transcend to other spheres of life. And, one step at a time, the dinosaur age of white people that can't stand black people will fade out, and this new generation would take over, and we will just be one happy planet...One Human Race.



I think Michael Jackson would have achieved this early in the 80s, but he went and turned himself white. And, if you look at Bob Marley, he was on the same track. He made politically conscious music, and even attacked the whites with his lyrics, but his songs were so melodious that everyone, regardless of race just vibed to it. But, with Hip Hop being a big medium, the effect is much more noticeable. I have watched rapper Game's live concerts in Norway and New Zealand, and seen 90% white people in the audience, rapping a long to every word of his songs. I think, regardless of what negative image people paint hip hop, they have done more in erasing racial tension and building equality than any million man march or protest has done. I believe in getting positive with positive, not getting positive with negative...u dig?

Juvenile's Rejuvenation Tracklist and Cover Art

Juvenile, the man that helped build Cash Money records back in the 90s as one of their biggest selling acts till date, is about to drop a new album (Rejuvenation). Although no longer with Cash Money, he is still has loyal fans that are checking out for him. It is set to drop October; check out the tracklist and album cover art of the album below-


1. Rejuvenation
2. Power (Feat. Rick Ross)
3. Can’t Stop My Money
4. Mardi Gras
5. Lost My Mind
6. Imma Get Rich
7. Fall Back (Feat. Z-Ro & Trae Tha Truth)
8. Bad Guy
9. Ahh Haa
10. Im Yo People (Feat. Skip & Young Juve)
11. Got It Like That (Feat. Skip & Wacko)
12. Still Here (Feat. Skip & Wacko)
13. Ain’t What You Want
14. Toast to the Good Life

Drake Indirectly Speaks on Chris Brown Fight

I have heard so many versions of the Drake and Chris Brown fight within the last couple of days and I don't know what to believe, so I have tried my best not to post any articles on the matter until the real truth comes out. The only thing we are sure of is that they bought were at a club in New York last week, and a fight broke out between their camps.


At a recent Show, Drake tried his best to speak on what happened without implicating himself; you can read on it below-





With extra security in place, Drizzy alluded to the bottle-throwing incident early in his performance. "When I woke up this morning, I had to think about a lot of things," he told the crowd of 15,000. "But the only thing I gave a f**k about was that I was in New York City tonight." A couple songs later, he brought up the topic again. "You were having a good night so far, you done had a couple drinks, you done met a couple thangs, and then the ni**a in the corner start looking at you funny and you feel a motherfu**in' way about it. And then somebody going to the bathroom bumps you with their elbow and you like, 'What the f**k?' At that time in my life, there's really only one ni**a that I wanna hear," said the Young Money rapper, before Waka Flocka joined him for "Round of Applause." (Rap-Up)

The Secret Meeting That Changed Hip Hop Music and Destroyed a Generation

I have always believed the strong rule the weak, but the wise rule the strong. After saying this, I would go along and say that I have always believed that black people, African-Americans in the hip hop music industry are puppets to a higher controlling power. The rappers do and rap about what the execs tell them too. It is still crazy to me that with all the billions that rappers have generated cumulatively over the years, they still answer to white record execs. All the years Dr Dre and Puffy have been doing it...over 20 years, they still answer to Jimmy Iovine. 

A former record exec (Anonymous because of the gravity of the content he reveals) who retired as far back as 1993 recently revealed a meeting he attended in 1991 that he says changed hip hop music and destroyed a generation. Kick back, relax and get informed-




Hello,


After more than 20 years, I’ve finally decided to tell the world what I witnessed in 1991, which I believe was one of the biggest turning point in popular music, and ultimately American society. I have struggled for a long time weighing the pros and cons of making this story public as I was reluctant to implicate the individuals who were present that day. So I’ve simply decided to leave out names and all the details that may risk my personal well being and that of those who were, like me, dragged into something they weren’t ready for.








Between the late 80′s and early 90’s, I was what you may call a “decision maker” with one of the more established company in the music industry. I came from Europe in the early 80’s and quickly established myself in the business. The industry was different back then. Since technology and media weren’t accessible to people like they are today, the industry had more control over the public and had the means to influence them anyway it wanted. This may explain why in early 1991, I was invited to attend a closed door meeting with a small group of music business insiders to discuss rap music’s new direction. Little did I know that we would be asked to participate in one of the most unethical and destructive business practice I’ve ever seen.






The meeting was held at a private residence on the outskirts of Los Angeles. I remember about 25 to 30 people being there, most of them familiar faces. Speaking to those I knew, we joked about the theme of the meeting as many of us did not care for rap music and failed to see the purpose of being invited to a private gathering to discuss its future. Among the attendees was a small group of unfamiliar faces who stayed to themselves and made no attempt to socialize beyond their circle. Based on their behavior and formal appearances, they didn’t seem to be in our industry. Our casual chatter was interrupted when we were asked to sign a confidentiality agreement preventing us from publicly discussing the information presented during the meeting. Needless to say, this intrigued and in some cases disturbed many of us. The agreement was only a page long but very clear on the matter and consequences which stated that violating the terms would result in job termination. We asked several people what this meeting was about and the reason for such secrecy but couldn’t find anyone who had answers for us. A few people refused to sign and walked out. No one stopped them. I was tempted to follow but curiosity got the best of me. A man who was part of the “unfamiliar” group collected the agreements from us.






Quickly after the meeting began, one of my industry colleagues (who shall remain nameless like everyone else) thanked us for attending. He then gave the floor to a man who only introduced himself by first name and gave no further details about his personal background. I think he was the owner of the residence but it was never confirmed. He briefly praised all of us for the success we had achieved in our industry and congratulated us for being selected as part of this small group of “decision makers”. At this point I begin to feel slightly uncomfortable at the strangeness of this gathering. The subject quickly changed as the speaker went on to tell us that the respective companies we represented had invested in a very profitable industry which could become even more rewarding with our active involvement. He explained that the companies we work for had invested millions into the building of privately owned prisons and that our positions of influence in the music industry would actually impact the profitability of these investments. I remember many of us in the group immediately looking at each other in confusion. At the time, I didn’t know what a private prison was but I wasn’t the only one. Sure enough, someone asked what these prisons were and what any of this had to do with us. We were told that these prisons were built by privately owned companies who received funding from the government based on the number of inmates. The more inmates, the more money the government would pay these prisons. It was also made clear to us that since these prisons are privately owned, as they become publicly traded, we’d be able to buy shares. Most of us were taken back by this. Again, a couple of people asked what this had to do with us. At this point, my industry colleague who had first opened the meeting took the floor again and answered our questions. He told us that since our employers had become silent investors in this prison business, it was now in their interest to make sure that these prisons remained filled. Our job would be to help make this happen by marketing music which promotes criminal behavior, rap being the music of choice. He assured us that this would be a great situation for us because rap music was becoming an increasingly profitable market for our companies, and as employee, we’d also be able to buy personal stocks in these prisons. Immediately, silence came over the room. You could have heard a pin drop. I remember looking around to make sure I wasn’t dreaming and saw half of the people with dropped jaws. My daze was interrupted when someone shouted, “Is this a f****** joke?” At this point things became chaotic. Two of the men who were part of the “unfamiliar” group grabbed the man who shouted out and attempted to remove him from the house. A few of us, myself included, tried to intervene. One of them pulled out a gun and we all backed off. They separated us from the crowd and all four of us were escorted outside. My industry colleague who had opened the meeting earlier hurried out to meet us and reminded us that we had signed agreement and would suffer the consequences of speaking about this publicly or even with those who attended the meeting. I asked him why he was involved with something this corrupt and he replied that it was bigger than the music business and nothing we’d want to challenge without risking consequences. We all protested and as he walked back into the house I remember word for word the last thing he said, “It’s out of my hands now. Remember you signed an agreement.” He then closed the door behind him. The men rushed us to our cars and actually watched until we drove off.






A million things were going through my mind as I drove away and I eventually decided to pull over and park on a side street in order to collect my thoughts. I replayed everything in my mind repeatedly and it all seemed very surreal to me. I was angry with myself for not having taken a more active role in questioning what had been presented to us. I’d like to believe the shock of it all is what suspended my better nature. After what seemed like an eternity, I was able to calm myself enough to make it home. I didn’t talk or call anyone that night. The next day back at the office, I was visibly out of it but blamed it on being under the weather. No one else in my department had been invited to the meeting and I felt a sense of guilt for not being able to share what I had witnessed. I thought about contacting the 3 others who wear kicked out of the house but I didn’t remember their names and thought that tracking them down would probably bring unwanted attention. I considered speaking out publicly at the risk of losing my job but I realized I’d probably be jeopardizing more than my job and I wasn’t willing to risk anything happening to my family. I thought about those men with guns and wondered who they were? I had been told that this was bigger than the music business and all I could do was let my imagination run free. There were no answers and no one to talk to. I tried to do a little bit of research on private prisons but didn’t uncover anything about the music business’ involvement. However, the information I did find confirmed how dangerous this prison business really was. Days turned into weeks and weeks into months. Eventually, it was as if the meeting had never taken place. It all seemed surreal. I became more reclusive and stopped going to any industry events unless professionally obligated to do so. On two occasions, I found myself attending the same function as my former colleague. Both times, our eyes met but nothing more was exchanged.






As the months passed, rap music had definitely changed direction. I was never a fan of it but even I could tell the difference. Rap acts that talked about politics or harmless fun were quickly fading away as gangster rap started dominating the airwaves. Only a few months had passed since the meeting but I suspect that the ideas presented that day had been successfully implemented. It was as if the order has been given to all major label executives. The music was climbing the charts and most companies when more than happy to capitalize on it. Each one was churning out their very own gangster rap acts on an assembly line. Everyone bought into it, consumers included. Violence and drug use became a central theme in most rap music. I spoke to a few of my peers in the industry to get their opinions on the new trend but was told repeatedly that it was all about supply and demand. Sadly many of them even expressed that the music reinforced their prejudice of minorities.






I officially quit the music business in 1993 but my heart had already left months before. I broke ties with the majority of my peers and removed myself from this thing I had once loved. I took some time off, returned to Europe for a few years, settled out of state, and lived a “quiet” life away from the world of entertainment. As the years passed, I managed to keep my secret, fearful of sharing it with the wrong person but also a little ashamed of not having had the balls to blow the whistle. But as rap got worse, my guilt grew. Fortunately, in the late 90’s, having the internet as a resource which wasn’t at my disposal in the early days made it easier for me to investigate what is now labeled the prison industrial complex. Now that I have a greater understanding of how private prisons operate, things make much more sense than they ever have. I see how the criminalization of rap music played a big part in promoting racial stereotypes and misguided so many impressionable young minds into adopting these glorified criminal behaviors which often lead to incarceration. Twenty years of guilt is a heavy load to carry but the least I can do now is to share my story, hoping that fans of rap music realize how they’ve been used for the past 2 decades. Although I plan on remaining anonymous for obvious reasons, my goal now is to get this information out to as many people as possible. Please help me spread the word. Hopefully, others who attended the meeting back in 1991 will be inspired by this and tell their own stories. Most importantly, if only one life has been touched by my story, I pray it makes the weight of my guilt a little more tolerable.


Thank you.

Upcoming Rap Album Releases For the Month of June

Below are the upcoming rap releases for the month of June...June is already halfway, but there are still a couple of rap releases to really look out for.



June 19   Juvenile   Rejuvenation

June 19   Pastor Troy   Outlaw

June 26   Eminem   Curtain Call: Hits (Import)

June 26   Maybach Music Group   Self Made Vol.2

June 26   DMX   Undisputed

June 26   Large Professor   Professor @ Large


By the way, the Eminem album up there has the same tracklist with the Curtain Call that was released in 2005, but is a release in another country- that's why it has the "import" in bracket. It might have one or two extra tracks though; but even if it doesn't, Eminem fans will still rush for it.

Meek Mill & Roscoe Dash Twitter Beef

More artist are taking to twitter to air out there differences; I really don't know what to say about this era of twitter beefs, but it's just funny to me. Following the recent clash between Drake and Chris Brown at a night club in Soho (New York), which a lot of people have been putting the blame on Meek Mill as the mastermind, Roscoe Dash has used twitter to air-out his mind on the matter.



Check out the tweets below-



"All imma say is jumping niggas and swinging bottles over a woman who doesn't belong to ANYBODY!!! Aynt gangsta at all!.. no points given," he tweeted June 14th.


"I gotta say Lost alota respect for @drake & @meekmill out of all the niggas who Dnt like yall y'all chose to retaliate against @chrisbrown"


"Just voicing my opinion there's wayyy more important shit to start fight abt than features and women #thatisall"


"Now everybody's mad too bad idgaf but for the record I Dnt have a prob with @drake or @meekmill I just can't support sucka sh*t..." (Roscoe Dash's Twitter)




And Meek Mill had to respond to him for trying to assassinate his career-


"@Roscoedash you gotta chill b4 you b tweeting my name in some sh*t i wasn't even really in! Stay in ya lane!," he tweeted back. (Meek Mill's Twitter)


Roscoe quickly replied Meek with-



"@MeekMill lmao there aynt no lanes on this BIG a** hwy my brother but like I said I'm just voicing my opinion," he wrote.




"N*ggas Must have 4got I HAVE HIT RECORDS!! a couple of em & 7 top 40s I Dnt have to say ANYTHING at all I Dnt piggyback I'm the ring leader!" (Roscoe Dash's Twitter)



Personally, I think it was immature for Roscoe Dash to air out other people's business on twitter, and then say you don't have a problem with them... but say disrespectful things about them. I think I smell a little envy here. And for him to say he is a ring leader, and not piggy backing like Meek Mill means he is really jealous or something... I'd say that right there is some sucka shit. And for the record, I don't care how many top 40s Roscoe Dash has, I will pick Meek Milly over him any day...Meek is way bigger than him anyway.

Most Consistent Nigerian Rapper

There are many rappers in Nigeria making it happen, and being successful with their music. Ice Prince, Naeto C, M.I, Terry The Rapman, Modenine, Vector, Saucekid, Ikechukuwu, Ruggedman, Sasha, Eldee, Muna etc. Now, this article is about the most consistent rapper in Nigeria, so I would just state who I feel gets the crown for that, and I would love to here from you my readers on whether I am right or not. Please note that this is not about the best rapper in Nigeria, but the most consistent rapper.








I think Ice Prince, M.I and Naeto C are the most consistent out of all the rappers I listed above, but I would have to give it to Naeto. Honestly, I still don't know how he managed to stay consistent all the while he was in school for his M.Sc. I like the fact that he found a lane and has been riding that lane since. He rides the beat well; that's one very great advantage he has, but the greatest is his ability to create songs with very catchy hooks in the local dialect. I think he is a champion at that. I heard his new song- Tony Montana on the way out today, and I would sayit is a great song for the type of hip hop he does.



It seems as if M.I fell back a bit for Ice Prince (A label mate) to enjoy some shine, so there hasn't been a new M.I track on radio for a while now. Please note that i said on radio- i know some songs from his Illegal Music 2 mixtape have been making waves online.


With the other rappers I mentioned above, what they mostly do is feature on tracks of other rappers or r&b acts, but haven't really been dropping solo tracks for a while. But, with that boy Naeto, you would know that money is not the problem. And since he really loves what he does, it is like a hobby to him. He always has one or two crispy clear videos playing on MTV. I think I can comfortably say Naeto C is the most consistent Nigerian rapper.

50 Cent Reveals Cover Art of Upcoming album; "FIVE (MURDER BY NUMBERS)

50 Cent recently has been having problem with Interscope Records since he isn't the big album seller he used to be, but he has said that he would go on and release his fifth album, FIVE (MURDER BY NUMBERS), with or without Interscope backing. He has scheduled the album for a July 3rd release and he says he doesn't care if it sells or not. Below is the cover art of the album.



What I want to know is 50 baiting Game with this title? Game has named his 5th album F.I.V.E since the beginning of the year, and has been updating fans on its development. Then to have 50 have a similar name for his album, and then drop it before Game...it would kinda make people think 50 came up with the idea first, and that Game jacked him. And Game's ego wont let that happen.



It's funny to know that they have the same amount of albums out. Anyway, I would love to see how this turns out.

Updates on Nas's Life Is Good Album...Plus Rough Tracklist

Nas is about to drop his 10th album, Life is Good, and he had a listening session yesterday. I guess Nas would be going on tour shortly, and i guess that's why he had to have the listening session this early. The album doesn't drop till July 17, and that's still a full month away.







People present at the event are making us believe that this album might be his best album yet. We have to wait till it drops to know that, but judging from what he has dropped from it so far- Nasty, The Don and Daughters, i know he is in the zone right now. Even with the Black Lost Part 2 that people didn't like because of the hook, no one can say his verses were anything short of perfect. The track wont be on the album by the way, it was just a teaser for the fans. And Nas said it wasn't finished before it leaked.

Check some tweets from rapper Skyzoo on the album below-


Skyzoo ‏@skyzoo
Just heard @Nas new album. Listen. The shit he's spitting on here? Wow. Literally. Shouldve named it illmatic pt2



Skyzoo
‏@skyzoo


Listen, I'm not saying its better than illmatic. I'm saying its monstrous. His best work in years. Its what you ALL want from him




Below is the rough sketch tracklist that people at Kanye's blog (kanyetothe.com) put together, following the listening session yesterday-

1.  The Train- Produced by No.ID

2.  Bassline Ridic

3.  Ill

4.  Accidental Murderer feat Rick Ross- Produced by Salaam Remi & No.ID

5.  How It All Got Started

6.  Daughters

7.  The Don or Nasty

8. ######

9.  This Kind of Love

10.  Summer on Smash feat Swizz Beatz & Miguel

11.  Street Shit- Produced by Swizz Beatz



From reliable sources, 13 tracks were played, but the album will have 15 or 16 tracks, and the deluxe edition will have 18. This will be his last album with Def Jam. He had earlier signed a 3 million dollar, 3 album deal wwith Def Jam in the mid 00s, and this sees the end of the deal (3 albums- Hip Is Dead, Untitled, and Life Is Good). Nas would once again be a free agent after this, unless he wants to re-sign with Def Jam.


With all the promo Nas has done with this album, and putting himself out there more, i would say this album would be his most successful in years. He already has 3 videos out from singles on the album, and Swizz was talking about them shooting the video for Summer on Smash soon. Nas has never been known to really promote his albums like this with so much videos.